Stone Carving by Barbara Ségal

629
  • Barbara Ségal’s sculptural work is deeply influenced by Italian Baroque and Renaissance architecture, shaped by her time in Pietrasanta and Carrara, and her studies at the Ecole Nationale supérieure des Beaux-arts in Paris.
  • She masterfully uses materials like alabaster, onyx, Belgian black marble, and calcite, often combining stones with metals such as steel to create realistic textures and intricate details in pieces like her ‘Hot Schott’ leather jacket and ‘Pucci’ patterned shirt.
  • Ségal’s fashion-inspired sculptures, including her iconic Hermes Birkin bags, utilize diverse materials such as Portoro marble, gold leaf, and mosaic art to evoke different tactile and visual impressions of the same design.
  • Her carving process employs pneumatic drills, air hammers, chisels, and diamond bandsaws to achieve lifelike grooves and inlays, demonstrating exceptional technical skill and attention to detail.
  • Committed to community enrichment, Ségal contributes to public art projects like Art on the Main Street and the Art trucks initiative in Yonkers, using sculpture to promote well-being and inclusivity in urban spaces.

If you ever doubted that stone could be described as ‘delicate’, Barbara Segal’s creations will assure you; it is possible. Her creations are unique, often feminine, and always impressive works of art.

Influences

Ségal has many influences, including a love of Italian architecture, which originates from her four years spent living in Italy, in both Pietrasanta and Carrara. Here she worked alongside many other great artists, including Agustin Cardenas, Bruno Lucchesi, Max Bill, Paolo Grassi and Mario Fuendi. This was following her studies at the Ecole Nationale supérieure des Beaux-artes, Paris.

Here she also developed an eye for Baroque and Renaissance art, and was struck by the architectural beauty of European historical buildings. This can perhaps most clearly be seen in her public sculpture, Yonkers Sculpture Meadow at Medora.

In contrast, Ségal has other, more modern influences, and assimilates her American heritage through her pop culture-style creations, such as ‘Flip Flops’ (2015) or the more recently made, Guns & Roses jacket (2017), completed in a beautiful white marble. She has created many fashion-influenced sculptures, including classic Chanel gift boxes, a lingerie set, jackets, sports shirts and girls’ dresses. Her more recent works begin to question these icons. They are not only about beauty, but the implications of idolizing certain trends or brands.

The detail in her vestments make her sculptures stand out amongst other artists. The realistic folds and detailing in the ‘material’ are striking; in terms of both their beauty, and the skill needed for their completion.

Overall, Ségal takes her inspiration from life itself, and anything she finds beautiful within it. As she herself said: “personally powerful images compete for my attention: elegant finery, pop and fashion icons, European architecture, and Baroque excess.”

Working Materials

Ségal uses a number of different working materials, including marble, onyx, smeraldo and calcite.

She uses all different kinds of marble or stone, depending upon the piece, and the effect she is trying to create. For the earlier works of Little Girls’ Dresses (inspired by a family portrait from the 1950’s), for example, she used alabaster and onyx, which work well in recreating the soft texture of these dresses. The translucent quality of these types of stone, allow light to almost shine through the dresses themselves, giving the illusion of a light and delicate material.

She will often mix and match materials where needed. Her black and shiny ‘leather’ jacket is created through a combination of Belgian black marble (which gives it a lovely sheen), alongside steel for the buckles and zip. Used together, they ensure the realism and high-quality work that have become synonymous with her name and work.

Her sixties patterned shirt (Pucci, 1994) is another good example, of her mixing marble and onyx stones, to create the contrast needed for its complex pattern, not dissimilar from a mosaic art. Her in depth knowledge of these materials and her skill as a sculptress, means there is likely nothing, she cannot create.

The process

In order to make these creations, Ségal uses a mixture of tools to carve out the grooves and shapes needed to make each look to life-like. She can use anything from pneumatic drills for the larger pieces, to air hammers and chisels (to carve the more detailed sections of each piece). Her diamond bandsaw is mostly used to make inlays in the stone, which bring her work to life.

Birkin Bag

The Birkin bag is often seen as a status symbol in American culture and this likely is the reason for Ségal’s numerous recreations of this particular fashion item.

mosaic art

One of her most memorable works is arguably her stone version of the Hermes Birkin Bag, which is often indistinguishable from the real thing. This design has been recreated by Ségal numerous times – in Portoro marble, Belgian marble with gold leaf and glass mosaic arts, and Persian marble: All of which leave a completely different impression of the form and design of the same bag. While Belgian marble has a glossy sheen to it; the rustic red Persian stone, has an exquisite earthy feel to it.

Obsessive Compulsive

Another of her works has been used as a part of the garden for the Ella Hotel, Texas. The 2000 pound pink onyx and white Carrara marble Chanel bag is aptly named, ‘Obsessive Compulsive’, and is likely a comment on societies’ current culture and aspiration to gain material wealth. The bag certainly gives the hotel entrance a larger-than-life feel.

Helping the community

The Sculptress is somewhat of a philanthropist; taking time to invest in community projects, such as Art on the Main Street, a non-profit art organisation designed to make art available in public spaces. Her belief is that sculpture and art can be used to promote well-being and inclusion in communities.

For this reason she also began the Art trucks project, where artists’ work was displayed on garbage trucks, giving Yonker’s surroundings a new lease of life. One of the largest works she contributed was Muhheakantuck, an aluminum sculpture that took a year in the making and symbolises the Hudson river.

Top Posts
View All
108835635280
Transforming Outdoor Spaces with Mosaic Art: Patio Décor Ideas That Last
109063405648
Mosaic Art in 2025: What’s Hot, What’s New, and What’s Next
109063372880
The Mosaic as an Heirloom: Creating Art That Lasts Generations
112676175952
The Mosaic Comeback: Crafted Décor in the Age of Minimalism
112671326288
The Haunted Tesserae: Bringing Spooky Sophistication with Marble Mosaics this Halloween season
Latest Posts
View All
112677191760
Art Deco Mosaics Are Back: Geometric Designs for Modern Interiors
112682500176
Roman Maritime Mosaics: Ships, Sea Life and How to Bring Them Home
112676995152
Soft Luxury Mosaic Murals: How Freehand Marble Creates Calm, Tactile Walls
112676962384
Curved Mosaic Designs: How Fanned, Rounded and Scalloped Shapes Transform a Space
112675946576
Outdoor Mosaic Walls and Patios: How to Make Them Last for Decades